Saturday, 22 April 2017

END OF TIME


Band: GUTS FOR DINNER
Title: End Of Time
Format: A recent song recorded by Hugin, scheduled for inclusion on an upcoming new GFD release!
Edition: N/A

Track Listing:
01. End Of Time  2.17

Ah those three little words which epitomise the heart-warming, spring in your step feeling of true first love: 'Guts For Dinner'.  Or is it 'I Love You' I'm thinking of there?  Oh well, no matter (more splatter) because as a treat at the tail end of 2016 Hugin had recorded new Guts For Dinner material, and here it is reviewed for your delectation!

Clearly this is an alarming development.  GFD is most certainly not for the squeamish, and any attempt to handle material from this malevolent entity usually ends in tears.  Almost banished from Castle Nazgul for unnecessarily traumatising the castle monkey, the head-spinning, projectile-vomit inducing pummelling that a GFD track entails is more than sufficient to cause local seismic activity and kick-start riots and unrest.  And just downright annoy the gorgeous Lady Nazgul, who already has to put up with a lot god bless her...

What's more, this isn't just a one-off song you know.  Oh no, Hugin has only gone and created a limited edition re-issue of the original demo with this new song (and one other) bolted onto it - you'll find out more about that as 2017 unfolds.

But for now, let us revel not only in the new GFD logo that proudly adorns this post (and which will be used on the upcoming release too, which - it must be said - has some excellent artwork of its own), but also dissect the new song: it's not long and it's not pleasant!

Spiky black metal guitar meets raspy-burpy-drowning-under-water vocal style in a dark alley in a broken beer bottles death match is how you might fairly describe this.

I'd like to leave you today with an unusual thing: a rare flash of brilliant insight from your old Uncle Nazgul.  Let's take a parallel between the world of film and the world of music.  Hugin, as we well know, has a string of musical projects to his name of differing genres and styles, from the majestic Middle-Earth musings of Uruk Hai to the splatter/gore world of Guts For Dinner. Akin to this is film producer Peter Jackson: who would ever have guessed that the man responsible for gore-tastic Bad Taste in 1987 and Braindead in 1992 would, a mere decade later, be responsible for bringing Tolkien's Lord Of The Rings to the silver-screen with such style and panache?  Absolutely no one, that's who!

So who's to say that such an improbable turn of events could not befall our Austrian hero, catapulting his music from the underground into the realm of fantasy film (and yes, before you remind me, I do remember "The Nebula Dawn"!)  So don't be surprised when Hollywood does come calling, cheque book in hand, earning Hugin sufficient loot to build a huge chateau in the heart of Linz and elevating him to the dizzy heights of super-stardom...!

Wednesday, 19 April 2017

THE ASHES OF BATTLE - update


Band: URUK HAI
Title: The Ashes Of Battle
Reason for Update: This is the tape version of the split album between Uruk Hai and Balrog, previously reviewed in CDr format in September 2016.
Format: Professionally produced tape with full colour j-card cover on the Out Of Season (USA) label, released on 6 November 2016 catalogue reference oos25.
Edition: 100 hand numbered-copies

Track Listing:
Uruk Hai
01. Eagles
02. Elbenklang
Balrog
03. Spirit Of Fire
04. Wild Warriors
05. Eye Of Smaug
06. Grey Heavens
07. Outgoing Of Flames

Nazgul jumped the gun a little back in September when he reviewed the CDr of "Ashes Of Battle" as the tape release for that particular release had not yet appeared.  A couple of months later, however, out it popped from the Out Of Season label with the same track listing and artwork (somewhat truncated, by necessity) but in loveable cassette format.

And of course, for reasons of obsessive completeness, here it is featured in Honour and Darkness so that you can set your own personal collecting radar in its general direction and press the 'seek' button accordingly.

Nazgul stands by his previous comments on this album, especially regarding the excellent of opening song 'Eagles'.  This release did prompt me to rush out and buy a range of other demo releases from Balrog too, which proved most invigorating and excellent in their own right.

Indeed, there's a common misconception that the crenelated vaults of Castle Nazgul house only the world renowned 'Hugin' collection.  But that would be far from the truth, as various other lesser compendiums and collections litter the various dusty castle rooms, all quite varied and remarkable in their own right.

As a treat, Nazgul will share you one of these side collections in a future post (coming soon, I promise!), which has a tenuous connection with a recently reviewed release in this very blog, but which is something a little different that even our Austrian master himself won't have seen...

Stay tuned!

Wednesday, 12 April 2017

REALM OF LIGHT ... (it lives!)

Band: DRACHENFEUER
Title: Realm Of Light
Format: There exist two versions of this release, both on Dark Age Productions (America) and both with catalogue reference DAP031.  The cassette version was issued first in December 2016, and comes in a ‘Grey Mountain ‘coloured cassette shells, with a lamp black imprint and six panel full colour ‘J-card’ plus exclusive badge/pin.  The double CD in 6-panel digipak format followed on in 2017, and bears an additional bonus track and its own exclusive badge/pin.
Edition:  Cassette release limited to 100 unnumbered copies.  The number of copies of the CD version is unknown.

Track Listing:
CD version:
Disc 1
01.  All Shall Love Me and Despair  7.36  
02.  Helm’s Deep  5.36  
03.  Flight of the Nazgul  10.58  
04.  Do Not Touch the Water  7.32  
05.  So Far Like Never Before  6.40  
06.  Father of Dragons  9.12  
07.  Valar  21.31 (CD only bonus track)
Disc 2   
08.  The Black Gate  8.17  
09.  Beren and Luthien  17.19  
10.  Nightfall at the Edge of the Old Forest  5.18  
11.  Dol Guldur  11.27  
12.  The Desolation of Smaug  10.18

Cassette version:
Side 1
01.  All Shall Love Me and Despair  
02.  Helm’s Deep  
03.  Flight of the Nazgul  
04.  Do Not Touch the Water  
05.  So Far Like Never Before  
06.  Father of Dragons  
Side 2
07.  The Black Gate  
08.  Beren and Luthien  
09.  Nightfall at the Edge of the Old Forest  
10.  Dol Guldur  
11.  The Desolation of Smaug

Back again - claws ripping, fangs rending the very flesh from your bones... No, not Nazgul (though I am back, and very pleased to be so), but long dormant collaborative project Drachenfeuer.  You remember I'm sure - the joint venture between UK ambient synth maestro Jim Kirkwood and Hugin, which spawned a promo-only CD almost 7 years ago to the day that was feted in Honour and Darkness ahead of what was hoped to be a swift formal release on a label ... of which these tremendous looking releases are the long anticipated result!

The artwork's different for sure, but the track listing remains intact and with a updated and refreshed trip through the recording studio it sounds as wonderful as ever.  This is the very epitome of ambient Middle-Earth Tolkien metal!   As the promotional literature from the label attests:

"Howard Shore may have shown us the beauty of Middle-Earth with a grandiose score but it is time to forsake the golden fields of the Riddermark, the silver eaves of Laurelindórenan, and majestic pearl of Minas Anor. 

Through the collaborative efforts of masters of the genre, Jim Kirkwood and Alexander Wieser as Drachenfeuer, we are given an opportunity to explore Middle-Earth in a way we never have before. We can travel to the fells of Angmar, the haunted home of the Witch-King, the long dark of Moria where the Balrog awaits in the shadows, or the spider ridden forest throne of Dol Guldur. With choirs, synths, guitars, and drums, explore the lands of Arda with new eyes, a new sense of wonder and danger. 

Heart rending melodies ready to carry you off to war, into a darkness that one can never escape. Hear the piercing wails of the Ringwraiths and cower in dreadful fear, hear the wrathful roars of the ancient dragons and feel the heat of their monstrous breath, hear the trumpets of the Valar, piercing the morning with the very music of creation.

Bear witness to the mightiest collaboration in all of dungeon synth as two masters mould folkish melodies and militant harmonies, adding terror and pain with beauty and love. Look upon the face of “Realm of Light” for none shall ever bear its like until the world is remade. Reach the heights of the firmament and the depths of the abyss. Watch as the world comes to life with smoky, shadowy melodies that no orchestras or symphonies could control."

It's great that this almost forgotten about album has finally been given a proper release, and in such high quality too.

In terms of what the thing sounds like, there is a monumental review of this album at the Archaic Triad website, which is so utterly all encompassing you'll forgive Nazgul for quoting it verbatim I'm sure:

"Underground atmospheric music has a long history of existing as a complement to metal, and black metal in particular. The 90s were full of “side projects” performed with varying degrees of competence, usually with an ambition to convey occult, spiritual or Fantasy inspired themes. Sometimes this musical sub-subculture took on a life somewhat separate from the metal milieu that spawned it, as was the case when Bard Algol founded Dark Age Productions and published a long line of both metal side projects and other atmospheric works. Well over twenty years later, the memory of these bands, as well as the early works of Mortiis, the synth albums of Burzum and a host of other classics, gave birth to the notion of “dungeon synth”. This subgenre now thrives, with new projects launching monthly, and releases – mainly online, but also in physical format – dropping weekly.

 The re-establishment of Dark Age Productions is yet another step in this momentous development (I’m not a native English speaker, and do not know the meaning of the word hyperbole). After a fantastic reissue of the early works of Bard Algol’s own project Cernunnos Woods, the time has come for the first original release. Drachenfeuer and Realm of Light marks Dark Age Productions’ re-emergence as a proper label, in a sense. It is an utterly ambitious project from the minds and fingers of Jim Kirkwood and Alexander Wieser. Kirkwood has released more than 80 albums since the 80s, and the two men have spent quite a lot of time working together in bands such as URUK HAI, Solid Grey and numerous others. Realm of Light was recorded back in 2009, and now finally sees the light of day.

Being one of the harbingers of the new age of dungeon synth carries certain responsibilities, even while the actual band could never have seen this peculiar context coming. Things could go awry in two specific ways: the recording could be too lo-fi, good for what it was and duly awakening feelings of nostalgia and old school tape trading. There is nothing inherently wrong with that, but it is not the sort of release most of us would expect from Dark Age Productions at this point (in particular since there will plenty of time for nostalgia when the various re-issues of old D.A.P. classics are released). 

On the other hand, it could also have made too much use of the musical technology available these days, creating a perfect emulation of a philharmonic orchestra and ending up sounding like the soundtrack of some blockbuster Fantasy movie. That would not be right either; such music can be found in most any modern video game or indeed movie. We are happy to report that Drachenfeuer have navigated perfectly through and beyond this Scylla and Charybdis of dungeon synth’s Strait of Messina.

The two hour epos is based on various aspects of Tolkien’s Middle Earth, ranging from the creation myth of the Silmarillion to the Black Gate of Mordor in the Third Age. This is of course nothing original, but it works very well together with the music, which consists of long – often very long – tracks of evocative, High Fantasy instrumentation.

At times the album borders on ambient, but almost always the songs include lucid and expressive melodies, as well as choice percussion and dramatic sound effects that serve to move this outside the realm of, say, dark ambient. It is often dream-like, transcendent and indeed suggestive of a realm of light, rather than something more black and brooding (though there are exceptions – “The Black Gate”, for one). To reconnect to the initial ramblings above, the quality of the synthesizers are top notch, the music is well written and executed, and in a technical sense it goes far beyond anything which could reasonably have been accomplished by black metal-affiliated underground musicians back in the 90s. At the same time, it is unashamedly synth based, even while retaining the right to utilize several acoustic instruments, choirs and sound effects, as well as the odd articulate vocal part.

The tracks are almost all utterly epic, though some are calmer and some more bombastic. It isn’t all mighty strings and rumbling timpani, though. In “Father of Dragons” Drachenfeuer offer up some synth pop with industrial notes, while the preceding “So Far Like Never Before” is a slab of 80s synthesizer dreaminess. The effect achieved through insertion of old school synth voices we recognize from way back when in many tracks may or may not be intentional, but it is to create a great dynamic with the more professional sounding modern synthesizer melodies and chords.

To say that the full two hours of music featured on this double CD convey constant bliss would of course be an exaggeration – there are parts which feel somewhat directionless, and while they didn’t cause any track skipping, the thought was there at times. Still, these meandering passages also contribute to reducing the aforementioned problem with an overly slick and “commercial” product – this is raw creativity, even if it is rather professional sounding.

Attempting to list influences would be perilous, given Jim Kirkwood’s long history with atmospheric music, but several comparisons can still be made. Summoning’s non-metal tracks, the more epic works of early Mortiis (though this has a far more ambitious production) and certain movie sound tracks could surely be mentioned without stepping on any toes. The massiveness of the album is fairly unique, though. The only dungeon synth release with a longer playtime would be Chaucerian Myth’s debut.

Realm of Light is epic both in the literal and the internet teenage slang sense of the word (kids do still say “epic”, or was that ten years ago?). It is a worthy second release for the new Dark Age Productions, and a great addition to the growing body of dungeon synth extant today. Archaic Triad sincerely hopes it finds a market, so that the inexcusable vulgarity of the mob doesn’t condemn it to a glorious but tragic fate of splendid, forgotten marginalization.

The album is out pretty much right now, and can already be ordered from Dark Age Productions. You’d better do so."

Phew, hardly anything left to say after that, I'd wager.


All in all there's absolutely no excuse not to venture forth, sword aloft and flame-resistant underpants at the ready, to explore and enjoy the delights of this magnificent release from Hugin and Jim.  A long time in the making, and even longer in the gestation, but so worth the wait.

And, as usual, here's the 'family picture' complete with the original 2-disc promo-only edition.

Tuesday, 28 March 2017

MELANCHOLIE EINES HERBSTES IN DREI AKTEN - update II

Band: Svarrogh
Title: Untitled CDr
Format: This is a standard CDr disc in black wallet containing the pair of songs that Svarrogh contributed to the three-way split release "Melancholie Eines Herbstes In Drei Akten"
Edition: Presumed to be the sole copy

Track Listing:
01. Samota
02. Slunce Moe, Kum Tebe E Moyata Molitva

In magazine reviews of albums, there used to be three types of song identified on the release.  Firstly, you had the hit single, the standout track (or tracks if the band had hit a run of form) that were sure fire chart-topping, MTV rotation worthy winners.  Next came the 'album track' - quality songs, often lengthy or not particularly commercial, but certainly of merit and helping to establish that band in its genre.  Thirdly, and finally, came the 'fillers' - songs written on the back of a cigarette packet at the eleventh hour to fill the gaping space left on the vinyl.

Taken in that context, today's post is very much filler, which Nazgul apologises for.  Endless excuses about increases in 'normal' workload in the day job etc. etc. are running a bit thin I grant you, but it's nonetheless true and frankly this month has been a bit of a write-off in terms of prepping anything for Honour and Darkness.

There's also the slightly alarming prospect that Nazgul's long waited for vacation is next week, which coincides with Mr Wieser's birthday: and we've not missed a birthday post on the blog since it started back in 2009!  Hmmm ... that might prove challenging?!

Anyway, back to the matter at hand.  This plain CDr disc is one of those one-off oddities that grace the Castle Nazgul collection, having been donated to the cause by Hugin in aeons long past.  It contains the 2 songs that complemented this three-way split with both Uruk Hai and Uruk Hai/Arkillery.

And that's pretty much it, really!

Svarrogh, for those of you with long memories, was a project of Dimo Dimov in 2001 and founded as a raw pagan black metal project dealing with Slavic heathendom, Bulgarian pagan traditions, ancient Bulgarian cult of Tangra as well as post-modern folklore symbolism and aesthetic transcendence. 'Svaróg' is an ancient Slavic deity of the cosmic and earthen fire and the godfather of the Slavic pantheon. It is a symbol of the eternal harmony in nature.

During the time Svarrogh developed more and more itself into the wide field of Bulgarian folklore music.The band's fourth album "Balkan Renaissance" in 2007 marked a radical change from harsh folk black metal into a neofolk/folk ambient oriented musical concept. The aspect of avant-garde music, as well as atmospheric and spiritual elements became the most important part of the compositions.

So there you have it: classic filler whilst Nazgul tries to remember which way is up, and have some quality time to invest in a more interesting future post...

Thursday, 16 March 2017

TWILIGHT


Band: URUK HAI
Title: Twilight
Format: There are two versions of this release: The first is a CD pressing, in A5 digibook version, jointly issued on the Russian Yarovit Productions (YP-002) and Barbatos Productions labels (BP-115) in December 2015.  The second version is a cassette tape with professional colour covers, on the Out Of Season label (America), cat ref oos5 and released in April 2016.  This tape also comes with a bonus 1" Uruk Hai badge/button.  The same track listing is on both versions, with side B of the tape release commencing with track 7 ('Elbenklang Part 2').
Edition: The CD version is limited to 200 numbered copies.  The tape is restricted to 100 hand-numbered copies.

Track Listing:
01. One With My Steel  8.38
02. Dorthonion  4.18
03. Smaug's Desolation  8.50
04. Eöl  2.42
05. Beneath The Mountains  3.14
06. A Blade That Once Was Broken  11.36
07. Elbenklang (Part 2)  12.50
08. The Golden Age Of Gondor  7.32
09. Over The Misty Mountains Cold  7.04

A nicely packaged release (in both formats) greets the intrepid fan in today's instalment of Honour and Darkness, as "Twilight" comes to town.  And not a teenage vampire or werewolf in sight, thank goodness.  Everyone knows that the only true twilight is defined according to the solar elevation angle θ s, which is the position of the geometric centre of the sun relative to the horizon.  But you knew that already, so let's not waste time on such musings and wade into the music.

One reasonable opening question is to ponder what this release actually is (or, more accurately, was. given it's already been a year and more since release date!).  Is it an album or a demo?  New songs, or old material, or even some kind of compendium of the two?

Who better to ask than the man himself, Hugin, who reveals:

"Twilight is a kind of compilation of unreleased songs - my good friend and huge Uruk-Hai fan Evgeny from Russia asked me some time ago if he can do a limited release of his fave band of mine so this CD came true.  All the cover pictures where taken at Lake Weikerlsee (close to my home) by Burgi Brandstetter, a close friend of mine too."

Once again the vast, seemingly inexhaustible supply of rare and unreleased songs from the vaults of W.A.R. have been tapped to produce another stellar release!

Credit too to Evgeny (and fellow label-hands) for having put the A5 CD package together so well, as it's a striking looking cover and stands out even amongst a collection of releases as opulent as those in Uruk Hai's discography.

It's an incredibly relaxing and ambient musical landscape presented by Hugin, with an instant one-way pass being issued to the highest peaks of the Misty Mountains and the lowest, fog-shrouded valleys of Middle-Earth.  Whilst there are touches of the Uruk Hai of yore - notably in the short battle-sample in lead-off track 'One With My Steel' - this is a journey into a mystical world accompanied by the very mellow contemporary Uruk Hai sound.  Not a strong contender to springboard the band back into the Metal Archives database then - not that this is an issue, you understand! - but more a lazy ride down the Brandywine river in scope and feel.

Speaking of locations in this fantastic realm, song two touches on 'Dorthonion', which was a highland region of the First Age, lying immediately to the north of Beleriand that extended north to Morgoth's stronghold of Thangorodrim. Within the stories it later became known as Taur-nu-Fuin ("Forest under Night"), or Mirkwood.  And in today's strange but true factoid, Treebeard the Ent used to take his winter vacations here...!

I do find this a most engrossing album, and one of those recordings that you can put on in the background or when on a long journey and then just wallow in the music.  To that extent, it's not even a particular issue what the individual titles are or how many tracks the release has, as it's more of a sonic tapestry than it is an simply an album of songs.  Particular moments leap out and grab you (not least the beginning of 'A Blade That Once Was Broken', which momentarily - and startlingly - sounds like a cover of Madness' 'Night Boat To Cairo'), whilst others wash over you and lull you into a world of magic and mystery.

And just when you think you've got the thing sussed, Hugin will throw in something a little more unexpected and left field, such as some distinctly neo-folk influenced guitar parts, or female choirs, just to make sure you're paying attention.  Great stuff!

In line with tradition, the early CD pressing has been followed by a much more limited tape release on the Out Of Season label.  No additional songs are included, but you do get a rather nice 1-inch badge/button to wear to show your allegiance.  

Certainly a release that you should look out for, and with both in fairly limited supply one feels that the currently available stocks will dwindle fairly quickly.  In other words, don't hang about getting your copy!

Oh - and before Nazgul signs off, let's quickly consider the strangely transient character of Eöl, referenced in the song of the same name.  Eöl, also known as the Dark Elf, was a Sinda and lord of the forest of Nan Elmoth in Tolkien's 'The Silmarillion', and one of the finest sword-smiths of the ages.  Yet in Tolkien's earlier writings, he is described as being of the Mole-kin of the Gnomes and an ugly miner to boot.  Quite the transformation!

Sunday, 5 March 2017

MEN OF STRAW - update

Band: URUK HAI
Title: Men of Straw
Format: A CDr disc in paper sleeve, released as a promotional item and housed in clear plastic wallet
Edition: Hand-numbered to 5 copies

Track Listing:
01. Men Of Straw  3.41

It seems scarcely feasible that is was back in July 2015 when Nazgul featured the "Men Of Straw" cassette tape box-set that Hugin had very kindly crafted for him.  Time does indeed pass quickly when you're having fun, as someone very wise once noted.  This box-set had actually been a gift in the year 2014, and it wasn't so far apart in time that the CDr promotional version that you see pictured above arrived in Castle Nazgul too.

In typically well meaning but disorganised fashion, your old Uncle Nazgul had always intended to do an update soon after the tape post went live to show this particular item but once again things moved on and the update was rather left behind in the unofficial scheduling of other posts.

Well, better late than never; here it is!

It's a very limited circulation of the same some, featuring affable northerner Trevor Sewell on guitar and vocals and our Austrian hero on, errr, well everything else including art layout and photography duties.  Only five copies of this are in circulation, with this being numbered in gold pen as #1/5 on the rear cover, so something of a rarity - which is what Castle Nazgul likes to specialize in!

Pretty much everything that needed to be said about this excellent song was communicated back in that July 2015 post, so we'll not repeat ourselves here.  What's worth noting, however, is that the track is also featured on the best-of Uruk Hai album "Elbenglanz" - recently featured in this Blog - and was also the bonus song on the recent reissue of classic album "The Battle" as well.  Clearly a song to be reckoned with, and no mistake.

And so we stride cautiously into March 2017 with a new post, even in the face of ever-more ridiculous work commitments and things eating into Nazgul's spare time.  Pah!  That the real world should get in the way of keeping this noble and august Blog up to date.  Disgraceful.  Though sadly a reality, dear readers.

And speaking of dear readers, thanks must be offered at this point to Huginophile James, who went mad recently with Nazgul's recent eBay auctions and bought himself a whole lot of rare goodies. Good on you, Sir, and more power to your collecting elbow.

With luck, a review of a new album next time you hear from Nazgul!  Until that point, keep well and keep the faith...

Wednesday, 22 February 2017

ELBENJAHRE

 


Band: URUK HAI
Title: Elbenjahre
Format: Cassette tape release on the Wulfrune Worxx label (France), cat ref WW971, with stock tape but full colour cover (and a very special 'guest artist'...)
Edition: Hand-numbered to 33 copies

Track Listing:
Side A
01. Welcome To Isengard
02. The Door To The Paths Of The Dead
03. Northwards
04. The Orc
05. The Fall Of Gil-Galad
06. Minas Morgul (demo)
07. The Return Of The Shadow
Side B
08. Dreamscape
09. Rise & Fall
10. Follow The Wind
11. Holy Metal
12. The Sword Of Revenge
13. From The Ashes (first take demo)

You may wonder at the purpose of "Elbenjahre".  Well, let Nazgul inform you: it is, per the inlay, "a companion album to "Elbenglanz" - where Uruk Hai's legions of fans chose their favourite songs - this best-of collection features Hugin's own selection of personal highlights from the battle years 2004-2015!"

And thus each track above is hand-selected by the man himself in accordance with his own agenda and thoughts.

It immediately begged one question to Nazgul's tiny mind: why only the period from 2004?  After all, Uruk Hai has been around in one form or other since 1999 so there are five years of untapped material here, including some seminal demos such as "Darkness", "Honour", "Elbentanz" and others.  Most intriguing. 

And then another question jumped up: why are there two demo versions of songs here, rather than the final versions?  Does that imply Hugin preferred the demo track/first take version more than the final version, and if so why was the original recording superseded by an apparently lesser version?

Well the short answer to all of these questions is simply this: at the time that Hugin put this collection together these were the songs that appealed to him the most!  And if you were to ask him to do the same thing again now, you'd probably get a slightly different list!!

There is a CD version of this release coming soon on the English label Aphelion Productions, who have of course released Uruk Hai material in the past, so that's definitely one to look out for and of course Nazgul will update Honour and Darkness accordingly when the disc lands in the Castle library.

That might be the time to get into the whole concordance of which song comes from what demo/album, which is always something of an intricate process to manage and one that - to my shame - is beyond my available time this month.  Yes, Nazgul's real world existence is cutting into Honour and Darkness time once again, and may well do for a while this year as various changes take shape and cause me endless amounts of travelling and hard work.  B'ah!

For now, then, let's rejoice in just the existence of this very limited edition tape on the ever-loyal Wulfrune Worxx label.  An interesting fact gleaned from the inlay, by the way, is that there are two artists at work here, one of whom is Ruta Silders who did the front cover and the other is none other than Hugin's talented daughter, who did the inside cover.  Clearly a family business going on over there in Linz.

Will we get another new post before the end of this month, you ask?  Well, it's possible, but I wouldn't hold your breath...